Projects

Mujeres que investigan mujeres, is an exhibition that brings together ongoing research projects by graduate students from the Institute of Social Sciences and Humanities at BUAP. Through a display of visual and documentary materials—such as photographs, field notes, archives, and research records—the exhibition highlights the processes, methodologies, and questions that shape feminist research.

Founded in Puebla in 2022, this artists' collective produces participatory art interventions for the March 8th feminist march. Their name reclaims the question "what was she wearing?" — a phrase that shifts blame onto assault victims — while also referencing clothing as evidence in disappearance cases. Through large-format prints, a giant crocheted bra, and collaborative workshops, they challenge the social regulation of female bodies and assert the right to dress freely.

Paseo Falda is a collaborative and evolving art and research project that emerges from the need to make visible the everyday experiences of gender-based violence in public space through artistic and collaborative practices. The project began in Puebla, Mexico, as a series of participatory workshops about creative writing and textile interventions, to start a dialogue about gender-based violence in public space.

Countermapping collectively maps gender violence — not through governmental logics that prioritize economic or tourist zones, but through women's lived experiences of unsafety in everyday transit spaces. While official maps document risk management and bodily control, our countermaps work in the opposite direction: the body is understood as a political entity whose experience shapes the territory, not the other way around.

Paseo Falda is a collaborative and evolving art and research project that emerges from the need to make visible the everyday experiences of gender-based violence in public space through artistic and collaborative practices. The project began in Puebla, Mexico, as a series of participatory workshops about creative writing and textile interventions, to start a dialogue about gender-based violence in public space.

Vereda Florida is a participatory public art project developed in collaboration with the municipal government of Puebla, Mexico, and funded by Bloomberg Philanthropies and other sponsors. Through community engagement, the project transforms a street into a geometric asphalt artwork that enhances safety and accessibility. Each of the 11 intervened corners also served as a memorial for victims of femicide, reimagining the street as a space of collective memory, care, and shared creativity.

Memoria de agua was a curatorial project developed in collaboration with Marisol Hernández and artist Mónica Muñoz Cid. Together, we expanded the artist’s research through archival investigation, gathering cartographies and photographs to trace former bodies of water in Puebla. The project engaged with memories of residents who recall these spaces, situating subjective and historical narratives within the city’s changing urban and environmental landscape.

Archival exhibition curated from the collections of the library from the Institute of Social Siences and Humanities from the Benemérita Universidad Autónoma de Puebla.

Collective exhibition curated as part of the Art and Aesthetics Master degree.

Video installation exploring the persistence of the image within a landscape of image proliferation and images of images. It proposes a reflection on the circulation of narratives that shape a reality mediated by screens, where the image becomes a political instrument for the propagation of fear and the amplification of moral panic.

Video installation that explores uncertainty and micro-facial expressions, trough interviews and experimentation with monochromatic animation and audio editing.